I can barely keep up with the guy, so you really should just save the FEARnet music page to your blogroll or in your RSS news reader for all the latest and greatest in the world of dark music. You may notice that unlike many large-scale music blogs out there, G9 likes to devote a lot of time and space to indie musicians.

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“White spotlights appeared one at a time to highlight each player as he launched into the enigmatic opening strains of the title track from Worlds Collide. The cheers built to a deafening crescendo as Mikko’s thunderous toms launched the song’s first explosive synchronized cello riffs. I felt a physical blast of compressed air from the amp stacks as the low-end vibrations kicked in, hammered home by a machine-gun double kick.”
-From G9’s FEARnet Review

I have never in my life experienced a concert more perfectly than at Apocalyptica’s very first show in Dallas, TX [at the House of Blues]. At first, I was just going to string together a few videos and a bunch of photos my new-found front-row friend Shelby had captured on her camera, but then… this video just took me on an artistic journey of its own, and I couldn’t stop it [nor did I want to]! Enjoy this fan documentary, and let me know what you think of the video. Finally, if you ever get the opportunity to see these guys in concert, don’t let it pass you by… it’ll be one of the best shows of your life, I promise.

Have you seen Apocalyptica live? What do you think of the band? What are some of your favorite Apo songs? Who is your favorite band member? Register -free- to share your thoughts with me here!

[ @ YouTube ] [ Right Click For MP4 ] [ Right Click For FLV ] [ Apocalyptica.com ]

The Cart
First off, Amazon now offers the special edition CD for the same price as the regular CD oh wait, I’m sorry. The special edition CD is a penny more than the regular. *shaking my fist* You bastards. Seriously, no-brainer, there. Night Eternal Special Edition: sold. *ka-ching!* View shopping cart: Night Eternal Special Edition + book that I’ve wanted for ages. Both items covered by prime membership = free 2-day shipping for me, *ka-ching!* But… I don’t want to wait two whole days… I don’t believe in bit-torrenting [it goes against my nature as a musician]. Hmm… computer speakers and flash streaming just isn’t cutting it anymore, and it’s Friday night, dammit, I want to listen to Night Eternal now-now-now-now-now! [That was my Herman Munster tantrum]. Update shopping cart: full album MP3 download + Special Edition CD + book I’ve wanted for ages. *ka-ching!* Sold to the crazy pig-tailed metal head.

Sidebar: I Believe in Music Karma Faeries
Yes, it’s true: I purchased Night Eternal twice. It’s just a fact: my music consumption habits straddle two worlds, that of the physical collector, and that of the instant gratification digital consumer. It’s probably a good thing that I never got deeply attached to vinyl [love the sound, hate the warping]. So I admit, I do sometimes buy MP3s first, and then buy the physical CDs later. I double-dip. Into my wallet. For my favorite bands. I figure, enough people probably steal their music anyway, so I’d like to think that maybe I’m helping set the scales back into balance in some small way. I also figure, it can’t hurt to spread some good musician mojo around, right? Call it karma, and call it a day? While I’m confessing, I’ve done this for two other bands, at least. Stream of Passion, Apocalyptica and Dimmu Borgir… okay, three… no, four, including Moonspell. /Sidebar

Try the NIGHT ETERNAL Diet and Be Instantly Transformed!
BEFORE:

AFTER:

The Perfect Drug
After a difficult day at the loathsome 9-5, and then another eight hours working on Corvo, the work I’d rather be immersed in all day, I’d mapped out a perfect 16-hour work day exhaustion escape plan. I loaded up the CD player with my burned MP3s, turned off all the lights [except for that white-light holiday strand that's never unplugged], poured a glass of red wine, and soaked in the sounds of Night Eternal from a *proper* stereo [and a pretty f^cking loud one, too]. All this at around 2:30 AM. SO perfect. A little delirious from fatigue, slightly numb, very comfortable in the dark, and greatly in need of going someplace far, far away in my mind for a while. Of course, purring cats involved themselves in this escape plan… my cats love metal, it actually calms them.

…what’s so cool about Moonspell as artists, is that they’re not following the latest “Goffik trends,” this is just… who they are… and they just may “turn” you if you don’t cover your necks.

School of Metal
G9 was there next to me, so at times throughout the CD, “musician nerd-speak” would ensue, with talk of things like lyrics, mood, gear estimates, melodies, orchestral elements… like our own musical “In Search Of…” complete with mystery, theory and conjecture. Even when huge fans of a band, we still can’t help but treat the experience of a new album or new concert as school… we can’t help but wander down the path of, “How did they do that? Can we be that effective, and how?” [We draw the line at pocket protectors]. But with Night Eternal, the album was so gripping, we mostly enjoyed the journey together in silence, saving every musician’s note for when the musical notes took us to our final destination.

I Never Drink…
While listening to Fernando’s opening words of “At Tragic Heights” [from the book of Revelation, of course], the same image that hits me often when I hear his voice, hit me again: Gary Oldman’s Dracula. And I can’t help but imagine him [Fernando, not Gary] saying to me, “Welcome… to my…. hhhhh…home.” In this inner-dialogue, I omit the part about “I never drink… wine,” because I know for a fact that Fernando does indeed drink wine. [Wouldn't it be cool if he drank Corvo wine]? At any rate, water, wine, blood, Snapple… it doesn’t really matter what he drinks, it will not change the fact that Fernando Ribeiro is the reincarnation of Vlad Tepes… at least, Vlad’s inner rock-god… and Lestat, you’ve got nothing on my visions of Fernando rocking the impaler. *cough*

Six Feet Under the Influence
As each track unfolded, I swear, every time I opened my eyes, I was another foot under ground. By the end of the album, I was literally in a coffin. I don’t know where it came from, but there I was, clad in funeral garb, laying in a coffin. Cobwebs everywhere, doors squeaking for no reason… in unison… mice running across the ceiling, succubi eating babies all around me. It was… out. of. control. What I’m trying to say is that Night Eternal is Gothic as f^ck, people! But… in a very authentic way. Everything I love about Gothic art, architecture, literature and film is present in this album, and what’s so cool about Moonspell as artists, is that they’re not following the latest “Goffik trends,” this is just… who they are… and they just may “turn” you if you don’t cover your necks.

Night Eternal Re-Animated
The special edition CD arrived the following Tuesday, and I jumped around the house yelling, “a penny, a penny, a penny, a penny!” This CD is a thing of beauty. It’s a high quality digipak, very thoughtfully designed with the Devil in the details. It includes a wicked-cool keepsake sticker of the album cover, as well as a lyric booklet dripping with dark art and gorgeous band photos. As if the collector quality of the packaging isn’t enough, the special edition CD also includes three bonus tracks, and a DVD, complete with three live performances from Wacken Open Air, including fan-favorite Finesterra, and one of my favorites, Memento Mori [both from another Moonspell masterpiece, Memorial]. Along with live performance clips, the DVD includes the official video for Finesterra, a behind-the-scenes short video, and… and… the reason why I’m so happy I sprung for that extra penny and bought the special edition: the video for “Luna.” I swear, the bittersweet beauty of the tragically whimsical visuals and melancholic melodies swept me up into a black magic carpet-ride. No pixels, no fuzzy mono-tracks or sub-standard stereo coming from crap computer speakers… this is why I’m not quite convinced that Internet video will ever be a replacement for “real” TV. As “Luna” completed the viewing experience of Night Eternal, G9 turned to me and said, “Did they jump into our heads and rip that video right out of us?” Well… holy head like a hole, G-Man, I do believe they did.

In short, this is one of the best albums of the year, and definitely, one of the best ever by Moonspell. Do with that what you will.

So tell me: What do you think of Moonspell? Do you like the music? How about the videos? If not, why not? Do your pets like metal? Have you seen my teeth? [ Register -Free- To Comment on Moonspell and Metalhead Pets! ]

Warning: the last video in this playlist, “I’ll See You in My Dreams” is NSFW… that is, unless your boss doesn’t mind seeing decapitations, gore and zombies running about… [hey, if your boss doesn't mind, may I apply to where you work]?

I can’t help but look at that shot of Asia Argento in The Filth, and think to myself, with a father like that, who needs enemies? What a fascinating father-daughter dynamic. Not quite like my artistic father-daughter dynamic, in which we performed a duet of “Rainbow Connection” for my first ever opera audition. In later years, I think the craziest we ever got was when dad learned Over the Hills and Far Away on the guitar, and I sang like Robert Plant. But you know… if dad asked me to practically drown in entrails thirteen-plus hours a day, I’d gladly do it, because that would mean I’m starring in a Dario Argento film! What? You need to literally drill a hole into my cranium to get just the right blood squirt for this scene, and then insert a metal plate into my skull not to cover the hole, but to use the metal as an electric conductor for shooting 227,849 volts through my nose, so that when the killer tries to lobotomize me, he’ll blow up, and I’ll run around the room with my head on fire? Yes father, I’ll do it… because you’re Dario Argento and I’m starring in your film!

VIDDY-EWWW: Seen La Terza Madre? Did you survive? What did you think? Do you dare? [Register -Free- To Comment on La Terza Madre + Dario Argento!]

The depth of Asia’s filth and pain-threshold is astounding, and in La Terza Madre, I started to think, wow, she’s kind of getting through this one like she’s in a Jerry Bruckheimer film, or something… until the scene from that photo up there ^. Wow… it’s… a force of nature to watch her trudge through it all. Even though La Terza Madre is, as Dethklok would declare, f^cking brutal, complete with blood, boobs, impaling, baby eating and more [for one very low price], this film made me laugh. Out loud. A lot. I know, it’s totally sick, but I giggled like crazy through the whole thing. So what if all of Italy and the world gets raped, pillaged, and possessed by ancient demons, this is opera at its finest. As I watched old Mater Lachrymarum’s witch-brigade trolling about, acting like The Pïnkk Läydeez, I was reminded of the years I’d spent in opera performing in the women’s choruses. Part of the reason why I love Argento’s work so much is that I recognize that it’s Italian horror opera… maybe that’s why I’m able to take the brutality in-stride. You could say that death in vivid colors takes me back to fond memories of watching people die when I was in grade school… characters in my operas, sillies, not real people!

G9′S ARGENTO TOP 5:
Suspiria
Tenebre
Inferno
La Terza Madre
Deep Red

NiNi’S ARGENTO TOP 5:
Suspiria
La Terza Madre
Do You Like Hitchcock?
Pelts
Opera

Another reason Argento’s films resonate with me as opera, is the importance placed on the music. In La Terza Madre, Claudio Simonetti’s score delivers a powerful “character” to the film in what I would consider one of the best film scores ever made, and definitely up-to-snuff with his Suspiria score. The final [closing credits] track “Mater Lacrimarum,” performed by Daemonia, with guest vocalist Dani Filth, is a horror music masterpiece. When I first heard it, I just wanted to loop it over and over again for days… seriously… and I did!

On that [literal] note, I’ve enclosed Mater Lacrimarum herein for your listening pleasure.

If “Mater Lacrimarum” resonates with you, please show your support by visiting Daemonia on mySpace, adding them to your fiends list, listening to more [as G9 would say], melodies of horror, and downloading some free tracks! It’s Italian horror metal with progressive rock sophistication, and they’re truly one of our hugest inspirations.

Finally, for we who’ve been following these Argento witches for so many years, La Terza Madre goes out with a bang, providing perfect closure for The Three Mothers Trilogy, all the way down to casting Udo Kier and Daria Nicolodi [and of course, our beloved Asia]. Still, this film [much like Dario Argento] isn’t for everyone… how about you? [Register -Free- To Comment on La Terza Madre and Dario Argento!]

[ G9's Review of La Terza Madre Soundtrack ] [ G9's Exclusive Interview With Daemonia ]

Can I steal your mind for a while?
Can I stop your heart for a while?
Can I freeze your soul and your time?
Scorpion flower, Token of death
Ignite the skies with your eyes
And keep me away from your light

Surrender tears to your mortal act
Flower cursed be thy fruit
Of your courage last
Of your grand finale
Flower crushed in the ground
In your empty heart
In the breast that feeds
Flower worn in the dark
~From SCORPION FLOWER, Moonspell Featuring Anneke van Giersbergen

[ Newsletter Subscribers, Click Here to Stream the Album in a New Window ]

If you only have time to listen to one track on this widget, I highly recommend Scorpion Flower [track #4] featuring the amazing voice of Anneke van Giersbergen. To stream the album, just click on the middle “slot” when you mouse over the widget image. You can click on individual songs… the player doesn’t confine you to listening to the whole album, although… if listening to the whole album is “confinement,” throw away the key, because in my opinion, this is a perfect album… at least, perfect for me!

My thoughts in “real time” as I listened to the stream:

Holy Jeebus, I’m only on track one ["At Tragic Heights"] of Moonspell’s new album, Night Eternal, and I’ve already decided to buy it the moment I get paid Friday. See? Label streams entire album online, consumer is willing to buy said album. It’s called “the new era of music sales,” and it’s really not that difficult to let people listen for free as part of the whole purchasing experience. Of course, it’s gotta be a great album if the label’s confident enough to let people “try before they buy,” so that alone is a no-brainer for we who devour music… free online album streams and embeddable widgets are the new “perceived value” of music pricing. But enough with my “industry research” observations and onto the album…

Oh wow, [ex-The Gathering's] Anneke van Giersbergen [one of my vocal heroes] contributes to the song “Scorpion Flower?” Right on! I’m really digging the female vocal seasonings throughout the album… I’m going to spring for the special edition if it hasn’t already sold out. I’ll definitely do a follow-up on the actual [physical] CD soon…

Make no mistake about it, we plan to “try before buy” Telltale… wonder where we could score a nifty l’il widget like this one? I bet SPV had to pay a pretty penny to MySpace for it… but what a worthwhile investment.

On Track #3 now, and wetting my pants… I looooove this album!

The flash player is of exceptional audio quality, too.

Uh oh… now on Anneke’s song, “Scorpion Flower”. It’s breathtaking! I would buy the album just for this song alone. [Loved it so much, had to post the lyrics].

Finished the album stream: fantastic, fantastic, fantastic!

*Update: Here’s one of my favorite photos of Eicca, snapped at the concert. My “front-and-center head banging buddy” Shelby took a bunch of photos and some great videos and shared them with me for this… well, it’s turned into a short film about the show, really.

I had read in several places that House of Blues was really bad about not letting cameras enter the premises, so I didn’t bring one… well, wouldn’t you know it? They didn’t seem to be enforcing that on this night. Well, it turns out, I met a new Apocalyptica friend, and thanks to her, I’ve got some great stuff to work with as I continue my “Apocalyptica Fan Documentary.”

Also, read G9’s review of the Apocalyptica House of Blues Dallas [05.12.08] show at FEARnet. He captured the night so beautifully. I think I’ll be finished with the video by the weekend at the very latest. *squeee!*

[By the way, you can click the photo to enlarge it a bit.]